HomeUS CoinsThe Standing Liberty Quarter, Type I (1916–1917): America’s Most Expressive Silver Coin

The Standing Liberty Quarter, Type I (1916–1917): America’s Most Expressive Silver Coin

By CoinWeek

The Standing Liberty Quarter, Type I, stands among the most artistically ambitious coins ever struck by the United States Mint. Issued in 1916 and early 1917, this short-lived design reflects the sweeping transformation of American coinage during the early twentieth century, a period when sculpture, symbolism, and national identity reshaped everyday money.

1917 Standing Liberty Quarter. Image: CoinWeek.
1917 Standing Liberty Quarter. Image: CoinWeek.

This CoinWeek guide presents the complete historical and technical context of the Type I Standing Liberty Quarter, written for collectors, researchers, and historians seeking an authoritative reference.

Origins of the Standing Liberty Quarter

Charles E. Barber’s long-running quarter dollar design entered circulation in 1892 under provisions of the Mint Act of 1890, which permitted, but did not require, coin redesigns every 25 years. By 1916, Mint Director Robert W. Woolley pursued a full artistic overhaul of the dime, quarter, and half dollar.

Rather than relying on in-house engravers, Woolley invited outside sculptors to compete for the new designs. The results defined a generation of American coinage. Adolph A. Weinman secured the dime and half dollar, while the quarter commission went to Hermon A. MacNeil, a sculptor widely recognized for his work in monumental and Native American–themed art.

An Artist of the American Renaissance

MacNeil brought a distinctly modern sensibility to the quarter dollar. His background included sculptural work for the World’s Columbian Exposition, public monuments, and architectural commissions. The Standing Liberty Quarter placed him among an elite group of artists whose designs transformed U.S. coinage, alongside the creators of the Lincoln cent, Buffalo nickel, Mercury dime, Walking Liberty half dollar, and Saint-Gaudens gold coinage.

MacNeil’s quarter reflects the artistic vigor of the era: Liberty is no longer static or heraldic but active, human, and symbolic.

Liberty Revealed: Symbolism and Controversy

The obverse figure of Liberty likely combines features of silent film actress Dora Doscher and Broadway performer Irene MacDowell. Liberty strides forward from a gateway, shield raised in defense, olive branch extended in peace. The imagery communicates readiness without aggression, America vigilant, yet restrained.

Public reaction, however, focused on Liberty’s exposed right breast. While artistic nudity had precedent in American currency, including the 1896 Silver Certificate, the design sparked debate almost immediately. In 1917, the Mint modified the design to cover Liberty’s torso with chain mail, creating the distinct Type II quarter and ending the brief run of the original Type I.

1916 Standing Liberty Quarter Obverse Bronze Cast, Uncertified
This bronze cast is among the rarest artifacts related to the widely popular Standing Liberty quarter series, an original cast of Hermon MacNeil’s obverse design as it appeared in August 1916. Few other relics of the Standing Liberty quarter’s design production period survive in private hands, and arguably none harbor the appeal of this large bronze cast of the obverse design. Sold by Heritage Auctions on Jan 5, 2017 – LOT #5616

The “Full Head” Distinction

Standing Liberty quarters are closely studied for strike quality, especially in Liberty’s head. Coins displaying fully defined hair details, including distinct leaves, a sharp hairline, and a visible ear, qualify for the coveted Full Head designation.

Some numismatists also consider the completeness of shield rivets when assessing strike sharpness. However, head detail alone defines the Full Head subtype, even when shield details vary.

Design Analysis: Standing Liberty Quarter, Type I

Obverse Design

Liberty stands within a recessed gateway, advancing forward with her left foot raised. Her flowing gown drapes loosely, revealing the right breast and leg. In her left arm, she holds a circular shield bearing the Union emblem; in her right hand, an olive branch symbolizes peace.

Key design elements include:

  • LIBERTY arcing across the top
  • IN GOD WE TRUST split across the parapet walls
  • Thirteen stars flanking the gateway
  • The date placed prominently on the step below Liberty
  • MacNeil’s initial “M” near the lower right star
  • Mintmarks (when present) near the lower left star
  • An ornamental inner border of alternating dots and bars frames the design.

Reverse Design

The reverse features an eagle in full flight, wings raised and extended, moving confidently to the right. Surrounding legends include:

  • UNITED STATES OF AMERICA
  • QUARTER DOLLAR
  • E PLURIBUS UNUM
  • Stars divide the inscriptions symmetrically, reinforcing balance and motion.

Edge

The coin features a traditional reeded edge, consistent with contemporary silver denominations.

Coin Specifications

  • Denomination: Quarter Dollar
  • Series: Standing Liberty Quarter, Type I
  • Years of Issue: 1916–1917
  • Composition: 90% silver, 10% copper
  • Weight: 6.25 grams
  • Diameter: 24.3 mm
  • Edge: Reeded
  • Obverse Designer: Hermon A. MacNeil
  • Reverse Designer: Hermon A. MacNeil
  • Proofs: No officially issued proofs; select 1917 Satin Proof or Specimen pieces are reported

Place in American Numismatics

The Standing Liberty Quarter, Type I, occupies a singular place in U.S. coinage. Its bold artistry, brief production span, and immediate redesign make it both a historical document and a sculptural achievement. More than a circulating coin, it represents a turning point, when American money embraced fine art as a public expression of national ideals.

For collectors and scholars alike, the Type I Standing Liberty Quarter remains one of the most studied and admired silver coins of the twentieth century.

Do you have any tips or insights to add on this topic?
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CoinWeek
CoinWeek
Coinweek is the top independent online media source for rare coin and currency news, with analysis and information contributed by leading experts across the numismatic spectrum.

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33 COMMENTS

  1. The SLQ is arguably the most beautiful quarter design ever put out by the US Mint. It is unfortunate, however, that the date was one of the high points of the design (at least for Types I and II), meaning that a lot of them ended up dateless during their circulating lives. Still gotta love ’em, regardless.

  2. Today’s coin designs are so bad when compared to what we used to have. I wish we’d stayed with Liberty, not dead presidents. George Washington would hate this.

  3. I have a 1933 s like new is it worth anything I have from 1933 1945 some s and some got a D on them look real good

  4. I have a 1926 and 1916 and one does not have a date on it but on coin app it said it a 1916 don’t no how cause I can’t c it but yall think they worth anything

  5. I remember finding a number of Type I Standing Liberty Quarters in change back in the early 1960’s!!! Unfortunately no 1916’s!!!

  6. The bronze 1916 quarter is my favorite because of the way it looks! I did not realize coins changed that often in the very early years.

    • @Katheleen Cannella: A bronze quarter would be either an off-metal error (unlikely) or a replica piece. All known Standing Liberty quarters were struck in 90% silver alloy.

  7. The type 1 is one of the most beautiful coins ever minted in my opinion. The type 2 is close behind. A vast improvement from the Barber coinage, which became a little boring.

  8. The article on the 1916 Standing Liberty is very informative and interesting. I learned more than I knew; the details given of the Full-head are interesting, as are all other important differences in the design markings.

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